Showing posts with label capitals. Show all posts
Showing posts with label capitals. Show all posts
Keizer


Keizer is a serif display typeface freely inspired by the display metal fonts of the early XXth century, reminiscent of those used in cartographic and book design. Its five versions display an open-face, an inline-flared, outline and decorated capitals, and an essential titling high-contrasted serif face. Keizer works well both on print and screen, ideal for book covers, posters and logos. Every weight includes small caps, petite caps, stylistic alternates and a neat set of ornaments.



Keizer


Download Balter Serif Fonts Family From Art Grootfontein


Balter Serif is a hand-drawn layered typeface family inspired by sign painting, 1960’s movie posters and jazz album lettering. It can look fresh and modern or exquisitely vintage. Combine upper, lowercase and alternates to create a handmade custom lettered look, then layer the styles using colors to add value and depth to your designs !

Balter Serif works perfectly in short headlines. It is suitable to create a wide range of projects from posters to branding, logos, packaging, magazines and more.


Features

  • Uppercase & Small caps
  • Numbers & Symbols
  • International Glyphs
  • 60 Alternates & swashes
  • 70 Ligatures
  • 30 Letter combinations


Quick tip for layered fonts in Adobe Illustrator :

Click and drag out a text frame to start (don’t just click with the cursor on the page). Then select the stacked text frames, go to Type in the menu bar > Area Type Options > Offset: First Baseline and select “Fixed”.



Download Balter Serif Fonts Family From Art Grootfontein


Download Boule Plus Fonts Family From Ingo
Download Boule Plus Fonts Family From Ingo Download Boule Plus Fonts Family From IngoDownload Boule Plus Fonts Family From Ingo



CAPITALIZED, geometric, bold and round.


If the typo­grapher sees a font like that, it's enough to make his toes curl. But sometimes it just has to be that way.


Geometrically constructed fonts do not necessarily have to be pointed and angular; It also works consistently around. And if I say it consistently, then in this case, that's done consistently.


The basis for the BOULE is the circle. The letters are drawn with constant line width, the “corners“ and endings all have the same radius, the lines are all the same thickness.


The BOULE consists only of capitals. There is only one difference in the use of uppercase and lowercase letters: in the uppercase letters, the round letters are circular, while the lowercase letters are narrow.

The character set of the Boule contains all letters and accents to support the Western, Northern, Central and Eastern European languages with Latin alphabet.


The BOULE is not only very fat, it also runs very tight; that is, the glyphs are very close to each other. To avoid "holes" due to unfortunate letter combinations, the BOULE contains ligatures for FT, ST, TT and TZ.


There are also other versions of the font: BOULE Brillant on the one hand. In this version, simple highlights simulate a light incidence from the top right. These light edges give the font a decorative effect that makes it easy to think of wet sausages or balloons in some shapes.


And finally the BOULE Contour. As the name implies, it is the outer contour of the letters, combined with a shadow at the bottom left.


The name BOULE (French for ball) says it already: this font is globated. Therefore, it is also very suitable for all three-dimensional alienation effects. With simple light and shadow you can achieve a very convincing 3D effect with little effort.



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